Rap Sheett


Power 104.7 Interview with Keisha Monique and Prenz Bilal
Written by Robert Maxwell & Billy Lyve    Sunday, 06 May 2012 18:36    PDF Print E-mail
ShockWave: What separates Power 104.7 from other popular radio stations?
Keisha:I think what separates us is the fact that we are very global. No commercials. Uncut/Uncensored lyrics. HD Radio gives us a lot more freedom. We broadcast in over 123 countries across the world

ShockWave: Do you cater toward underground artist as well?
Prenz Bilal: Yes, one of the things we wanted to do was reach out to the independent artist out there so we have a show called Heatscope Radio that airs every Saturday from 2-4p.m. (The show is) hosted by me and we get music from all over the world. Unlike a lot of other internet /blog radio stations we are an official radio station. So the same way you would have to go through certain channels with FM radio, you have to do the same thing with us. So we put it back on the artist to make sure their music is copy written to make sure it's good quality and registered. If they do and they send it in we will be more than happy to support them.
Keisha: (Because) the worst thing is when you push your CD to FM radio or trying to find an avenue to get your music heard this show Heatscope is definitely for those independent artist. We are a licensed station so every time that music spins it can be tracked.

ShockWave: So what are some of the other shows we can look forward to checking out?
Prenz Bilal: We have a lot of really cool shows; I'm really excited about our new morning show, The Power Buzz in the morning with S-Dot and DJ Redz, half man, half amazing. That's a brand new show that just kicked off so we are really excited about that. (The) Jay Urban show, Ruler Radio with Miss Mamma. We have a nice roster of shows and we (are) always looking to add to that. We have (had) a lot of industry people who have started stopping in (such as) Tahiry (Joe Budden's ex), Carl Thomas, Mike Epps and more.
Keisha: I mean we were all in this game together really; we just have to find ways to making it all work.

ShockWave: I feel like that's what Baltimore is missing.
Prenz Bilal: And that's the biggest challenge. When you have something new, people have a tough time at digesting (it) but one of the biggest benefits that we have is we're not handicapped of just being here in Baltimore, we are a worldwide radio station that just happens to be (based) in Baltimore, MD.

ShockWave: So to sum it up, what do you want the readers to know about Power 104.7?
Prenz Bilal: The fact that we really do care and that's why we set up our social site and if you hit us up we will hit you right back; we wanna be the voice for the people. We're not too big, too small or too busy to support the people who have been supporting us.
 
The Rap Sheet: July 2011 Edition
Written by Robert Kelly    Thursday, 30 June 2011 18:00    PDF Print E-mail

Track Masons is an independent Hip-Hop/RnB record label based out of Pennsylvania. The label is comprised of 3 artists: Bee Ez, Crusafix and Rukus and 5 producers: Dana B., Chef Boy-R-Beatz(JC), Too Much, Def and 22'z. The group has had the opportunity to perform in front of notable acts such as Bone-Thugz and Harmony, Cassidy, Saigon and Canibus. The Masons have also recorded music with Juelz Santana.

The company was originally founded in 2006 by Dana B. and JC as a 2 man production team with the concept of building original music. After graduating from Wilkes University and 4 years of playing music side by side at 90.7 WCLH-FM, Wilkes University's radio station, the pair decided to spend more time making music than playing it.

Late in 2006, Track Masons were introduced to acclaimed recording engineer Joe Loftus. With new contacts accesible, Track Masons began working on a compilation album. Bee Ez, a rapper from Far Rock Away, Queens, NY would boast heavy involvement with the Track Masons compilation project released in mid-2007. Shortly after that, he began working on a solo project. The self titled disc was released December 2008 featuring the single "Dream Girl." It was at this time the Masons newest recruit, Crusafix was introduced to the line-up.

 
The Rap Sheet: May 2011 Edition
Written by Robert Kelly    Tuesday, 19 April 2011 10:10    PDF Print E-mail
The information age is upon us and computers are a part of everyone's life. It seems like everyone from Grandma to Aunt Lucille has a Facebook or owns land in Farmville. People are spending more and more time behind the computer screen or tethered to the PlayStation console and corporate Big-Whigs have taken notice. The "gamer" industry (for lack of a better name) is a virtually untouched demographic just waiting for someone to come along and tap the keg! With the developments of conventions like Comicon, Star Trek conventions and even SXSW to cater to the growing numbers of Gamers and technology freaks, there has been a void in the music department. Said Gamers and Techies haven't ever really had any current music that spoke to them. While there are quite literally millions of wannabe rappers out there who just want to tell the story of what it was like for them growing up, it's hardly the kind of life that a Star Wars fan or Trekkie could relate to.

If you spent your Friday nights playing Dungeons and Dragons with your friends, reading comic books or watching Star Wars, finally there is someone telling your story. Mc Chris, born September 2, 1975 with the Christian name of Christopher Brenden Ward 4th, spent his formative years like most white kids did that were from the suburbs. He most likely had Lightsaber battles with broomsticks... Who hasn't? But one thing he could do, that the other kids couldn't do, was spit mad rhymes with Gangsta skill!!! That's right, with his distinctly high-pitched voice, Mc Chris rhymes about everything that only someone who might have attended a Science-Fiction convention could understand. (not really)

Chris has become "the Voice" of Nerdcore, but he wears the label reluctantly. He doesn't want to be Pigeon-holed into one genre. He likes to call his style "Mc Chris music" because he basically is rapping about what it is like to be "Christopher Ward." Not getting too abstract about who he is and what he wants out of his music and career has allowed him to keep things in perspective and stay true to his roots. Many people have been able to relate to his lyrics.

 
The Rap Sheet: April 2011 Edition
Written by Robert Kelly    Friday, 01 April 2011 15:16    PDF Print E-mail
Not just the Hip-Hop world, but the entertainment industry as whole lost an incredible voice March 15th. Nathaniel Dwayne Hale, better known as "Nate Dogg" passed away after struggling the last few years with medical issues, stemming from a stroke the artist had suffered in 2007. The stroke hadn't affected his voice but it paralyzed him on his left side. The doctors had high hopes he would make a full recovery, but before any real progress could be made he was hit with yet another stroke the very next year. After the second stroke, close friend Warren G confirmed that he WAS in physical therapy, but was unsure if Nate would ever be able to resume his career. Nate Dogg struggled with this for the last 3 years until finally losing the fight. The industry will forever miss his unique and soulful voice.

I will never forget when I first heard Nate Dogg's distinct voice in Warren G's "Regulate." I was about 13 or 14, playing Baseball for the West Inverness Rec Counsel, and I wasn't yet sure if I was a "Yo-Boy" or "Progressive"... "Progressive" at the time was what the kids called people who listened to Rock music like Nirvana, Tool, and Metallica... Pretty much anything with Guitars and Drums in it... Anyway, what I liked about that song was the dual vocal performance of Warren G rapping the verse and Nate Dogg singing the bridge. Nate had a voice that was the product of being a part of his church choir and the things he would sing about were things that the kids on the street could relate to.

Snoop Dogg and Warren G were members of the notorious "Rollin' Twenty Crips" and together with Nate they formed their first group called "213." The demo they had recorded made its way through the ears of Dr. Dre at a party and after that it was on. Nate was signed to Death Row Records in '93 and was featured on Mista Grimm's "Indosmoke" along with Warren G. However the song "Regulate" would be considered both Warren G AND Nate Dogg's break-out hit. The song was featured on the soundtrack to the movie "Above the Rim" and won the award for "Best Movie Song" at the 1995 MTV Movie Awards and "Best Rap Performance by a Duo or Group" at the 1995 Grammy Awards. Nate Dogg WAS the voice of the G-Funk era... Funked out with a Gangsta twist!!!

Nate would go on to collaborate with many well-known artists in the industry, helping them to chart numerous singles on the Billboard Hip-Hop charts. Although lending his voice and talents to other artists would help them achieve success, he was never quite able to see the same in his own career.

Dr. Dre had created a sound when he released "The Chronic" and no one personified it more than Nate Dogg. The Funk samples, the Gangsta Rapping, the Soulful voices, all came together to put an image in our brains, and paint a picture in our souls. The notes of those songs resonate inside of us, to this day, and the loss of such an innovative artist will not go un-noticed. There will be a void left to be filled now, and the way things have been going, that void will get filled with garbage. The industry needs to wake up soon and recognize that it is losing its true founders and creators and when they are all gone there will be nothing left. Nate Dogg had a wonderful life and career and will be greatly missed by many, Black and White people, Rap fans to Rock fans... True talent has no boundaries!!!..... "It's the G-Funk era, funked out witha Gangsta twist!!!"

Nathaniel Dwayne Hale aka Nate Dogg

August 16, 1969 - March 15, 2011

Rest In Peace...

 
The Rap Sheet: March Edition
Written by Robert Kelly    Tuesday, 01 March 2011 08:31    PDF Print E-mail

Sometimes I find it difficult for me to write about Hip-Hop. In my humble opinion, Rap music has lost something over the last, oh say, about 12 years. In my humble opinion, since the release of Wu-Tang's "Wu-Forever," Hip-Hop with substance has been absent from the scene. Save for maybe a few artists such as Jay-Z, Eminem and... hell, I can't think of anybody but them that has done anything even remotely inspiring. (again, this is my humble opinion) When Rap music started, it came with a message. Rappers were like street poets telling the story of their street, and it meant something. All Rap music is about today is a whole lot of nothing. No message, no meaning, just one person trying to make money off of another person, a shining class of Pimp's and Ho's. Hip-Hop is a billion dollar industry that supports an endless array of people that simply choose to milk it like a cash-cow and say fuck the history, fuck the culture, change the message and make it something it was never meant to be!

Author, Producer, Activist and Lecturer, Public Enemy's own Chuck D has not only been non-stop Touring with the group, recording albums and always letting his distinct voice be heard, but he has also been on the college lecture circuit for the last 20 years. Quite impressive for someone at the helm of such an aggressive, militant style Hip-Hop group. Chuck D backs up his lyrics with a real life college education of his own. I had the opportunity to sit in on one of his lectures, February 16th at CCBC Essex Campus, along with my good friend M. Bosse. Topics were to include Rap, Race, Reality and Technology. When he first came in, he stayed perfectly humble, all he had on his chair was a couple bottles of water, and he carried his own jacket and was very cordial to everyone. He started off by saying "This country does not honor education or students or intelligence" and the general message that I got was that above all else is education. Something else he emphasized was "the quality of you, not the quantity of you" and that people need to know what it is they want, and where it is that they want to go.

 


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